Web Comics and Libraries

Here's something that's starting to bug me: Libraries and Web Comics. Basically, the titles that are in libraries are limited and I would kind of like to know why. Lately, it seems there are a lot of great web comics are coming out in book format, but are libraries picking them up? Not really. The epic exception seems to be Unshelved, which while great and is library humored, is NOT really what I'm talking about here. Unshelved will be the example to explain web comics. Basically, a comic done by an artist with or without a writer and syndicated on the Internet. Simple.

The latest web comic to make waves in library land is/was the epic Axe Cop (which, my library copy got no where fast because the binding split). Every review I saw was like "THIS IS AWESOME." Don't get me wrong, I know it is awesome (even though I haven't read the first volume but I've seen a few strips). It is entertaining and fun, but of ALL the web comics in the last few years, this is what catches everyone's eye? What about Dr. McNinja (which I need to read but hear about a LOT from The Philosopher Musician)? What about Machine of Death which is a hybrid of sorts and includes a collaboration of web comic artists, authors, and The People (not to mention is coming out with a sequel and had a blast fighting it out with Glenn Beck not too long ago)? Many artists are coming out with books and loyal fans are picking these up. But what about poor readers who can't run out and buy every book, no matter how much they want to support the artist? What about exposing readers to comics they haven't seen? What disservice are we providing when all we have are the "classics*"?

I'll tell you. Simply you are missing the 20-somethings, the 30-somethings, and maybe their kids. I don't read as many web comics as I used to but I am partial to Questionable Content (which mind you, brought you the She Blinded Me With Library Science gear), XKCD, Red String, and a few I really can't mention on my blog (epically awesome, epically NSFW). I have respect for many, many more web comics because I've read bits here and there and despite not reading them after a period of time, they are still good or have improved. Plus, The Philosopher Musician has his list of web comics he follows (and is known to go on "archive binges" here and there) and many of my friends love different web comics yet we share a love of many of the same titles.

So, what's our excuse? Tight budgets? They're indie published? We don't have the reviews to justify them in the collection? We don't want those 20 somethings in the library? Real comics are books? That's all available on the Internet; why would they want the book? Tell me why you don't have them. I really want to know.

In the mean time, tell me what collections you want me to review. I'm starting with what I have easy access to (QC vol 1, Red String vol. 1, Axe Cop vol. 1, and Wondermark), but want to find more. Got stuff your teens are talking about? Let me know. Web Comic Wednesdays will start up soon where I'll talk about web comics where either The Philosopher Musician or me will talk about a web comic turned book, or the web comic itself.

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"Classics" include such hits as Penny Arcade, MegaTokyo, Wondermark, Gunnerkrig Court, and...Unshelved

Stinky

Title: Stinky
Author: Eleanor Davis
Illustrator: Eleanor Davis
Publisher: Toon Books
Copyright: 2008
Price: $4.99
ISBN: 978-1-935179-06-1
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Summary and Quick Thoughts: Stinky loves to stink and stinky loves his swamp. He hates kids because they like baths and being clean. One day, Nick, a real live kid, comes to Stinky’s swamp and builds a tree house. Stinky will do whatever it takes to make the kid leave. Can Stinky learn to make a friend and share his swamp?
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Recommended Audience: Ages 6 to 8
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Things to be aware of: Nothing.
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Further Thoughts: If you’re looking for a story about making friends, sharing, and caring, this is the story and in graphic novel format to boot. Stinky faces the lesson of learning as all monsters do: reluctantly. What is even more entertaining is that Stinky learns his preconceptions about kids might be wrong, and Nick’s preconceptions of monsters could be wrong too. The cartoonish illustrations are enjoyable, bright, and fun. There is something to look for in every panel and certain panels help the reader focus on exactly what he/she needs to focus on. According to the cover of the paperback version, the book is a “Geisel Honor,” “Booklist Notable,” and a “Bank Street Best.” Well deserved.
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Bonus:

Source: Library copy.

Top Shelf Comics $3 Sale - Get Them Quick!

Top Shelf Productions is having a major sale on their comics. Of course, I see the word "sale" and immediately have to look. Don't do like I did though and see the most expensive stuff first and go "they lied!" Scroll down. That's where the cheaper stuff is and at $5, $3, and $1 for some titles, this is a good deal. Technically, depending on what you are looking for, you might be able to fill in some holes or build up a quick collection or get replacement copies of. Just a note though, I doubt they are prebound, although, unless it is a skinny paperback, who cares. Owly titles in paperback hold up just fine, I've found.

Also, this is a great time to get the Owly and Friends All Aflutter picture book if you haven't yet for $10.

I know I'll be looking. My poor graphic novel collection at the library has been neglected. :(

Wonder Woman: Who is Wonder Woman?

Title: Wonder Woman: Who is Wonder Woman?
Author: Allen Heinberg
Illustrator: Terry Dodson, Rachel Dodson, Alex Sinclair, et. al.
Publisher: DC Comics
Copyright: 2006/2007
Price: $14.99
ISBN: 978-1-4012-1234-6
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Summary and Quick Thoughts: This is Wonder Woman as you have never seen her before. Seriously. Gone is the weak, female super hero who trailed behind Batman and Superman. Instead, Wonder Woman, aka Diana, is forced to face hard facts about herself and what it means to be Wonder Woman. Readers do not need to know the events of the story Infinite Crisis to know that Wonder Woman is attempting to live as a human and stay under the radar until her actions are forgiven. Unfortunately for Diana, Circe is looking for her and will do anything to get her, especially if it means baiting her with her own assistants: Donna Troy and Wonder Girl. This trade collects issues #1 to 4 of the Wonder Woman comics.
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Recommended Audience: Mature teens; adults
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Things to be aware of: Some cleavage.
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Further Thoughts: I actually read this one after reading the second volume and I have to say, you can pretty much read the first three out of order (which I did). There is enough story in here that if you did know or didn’t know of Wonder Woman’s lackluster history (she was pretty wimpy most of the time as the introduction suggests) you won’t care. Wonder Woman is now the awesome hero she was always meant to be. The comic is now a possible platform for women’s rights. Her attitude and her need to discover who she is kept me glued to the pages wanting to know what happens next. My only qualm is that Wonder Woman is still in the traditional outfit she has always been, but at least when she dons a normal suit, it is not busty or over-sexualized at least (pants instead of mini-skirt, woo!). As a female reader, I’m happy to enjoy these stories. I’m glad that the artists of these volumes don’t make her voluptuous, only slightly busty, but mostly normal. Yes, there are still body suits, cleavage, and such, but not enough to turn this female reader off (who uses the 1980s Catwoman as an example of over-sexualized women in comics). The writers have even given Diana a formidable match in her partner in her undercover job, although, he is conveniently gone when she transforms into Wonder Woman.
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Bonus: Bonus art, Intro by Brian K. Vaughan

Source:  Library copy.